This year's Ohio Genealogical Society conference in Cincinnati sparked some good discussions, including one that came out of Ohio Genealogy News
editor Sunny McClellan Morton's Friday morning talk. Like many of us,
she's trying to encourage new writers to take up the pen or word
processor as the case may be.
I admit to being a bit
surprised that there was anything to discuss. There are many kinds of
good genealogical writing, and the first person can be effectively
wielded in most of them.
. . . Except at the top of the pyramid. In the five most scholarly magazines -- NEHGR, NGSQ, NYGBR, TAG, and The Genealogist
-- the first person singular or plural is out of bounds, I think
reasonably so. The focus there should be on the methods, the records,
and the people being researched -- not on the researcher's false trails
and travails. Having journals like this is one of many factors that will
make genealogy more respectable as an intellectual endeavor and not
just a harmless obsession of geezers. Also, once you get the hang of it,
leaving yourself out of the picture actually makes it easier to tell
one story, without having to shift back and forth from the
story of the past to the story of your attempt to reclaim the past. Scholarly
accounts deliberately suppress process details because the logic of proof is
often very different from the travelogue of discovery.
But this is not
the only way to tell these stories, and it is not always even the best
way. For one thing, up-and-coming researchers have a natural hunger for
accounts of how it went. A research find can look very different
in the heat of battle (or more likely in the courthouse basement) than
it does in a polished article. And nothing prevents such accounts from
being well-written and well-documented.
So, pretty much everywhere else -- in commercial popular magazines, in trade publications (APG Quarterly), and in quality mid-level publications (such as NGS Magazine, Ohio Genealogy News,
and many state publications) -- I would expect good editors to be open
to the possibility of using first person to tell a solid genealogical
story. (I blogged about a couple here; Sunny has been publishing research travelogues under the heading "Genealogy Journeys" in OGN.)
Many people may
find it more natural to write in the first person at first, and I'm in favor of
any approach that will get more of us writing (as opposed to dying with
file cabinets full of uncommunicated discoveries). But writing WELL in
the first person is much harder than it looks, for at least three reasons:
(1)
All storytelling and all writing is about selection, and when you write
about your own experience you have to do all the selection. You know
too much. (In an interview-based article, for instance, both the
interviewee and the interviewer filter the direct experience, so that
the result of the interview has already been winnowed down considerably
from the raw experience, making it easier to craft a readable narrative
out of it.) It can be hard to see the forest because you know so much
about each individual tree -- but if you tell all, the reader will quit
rather than figure it out.
(2) First person can tempt
us into careless writing. As beginners we often rely too much on
adjectives and adverbs, and on general ones at that. First-person may
make it harder to realize that we are emoting vaguely, rather than painting a clear
picture.
(3) First person poses a special technical
problem in genealogy. We then have at least two separate narratives
going: our own research chronology, AND the life we are researching.
It takes
considerable skill and experience to keep both stories on track,
separate, and memorable.
These caveats aside, I think
first person opens realms of possibility. Some of the most memorable genealogy
or family history books I have ever read use it: Leonard Todd's Carolina Clay: The Life and Legend of the Slave Potter Dave; Martha Hodes's The Sea Captain's Wife: A True Story of Love, Race, and War in the Nineteenth Century; and (in a somewhat different and slightly less documented vein) Ian Frazier's Family.
I found them impossible to put down, and well worth rereading and
learning from. It's true, these are world-class writers. Few if any of
us can use the first-person tool as well as they do, but that is no
reason to banish it altogether from our toolbox.
Harold Henderson, "'I' and 'we' in genealogy writing," Midwestern Microhistory: A Genealogy Blog, posted 15 May 2013 (http://midwesternmicrohistory.blogspot.com : accessed [access date]). [Please feel free to link to the specific post if you prefer.]
Wednesday, May 15, 2013
"I" and "we" in genealogy writing
Posted by Harold Henderson at 12:30 AM
Labels: Carolina Clay, Family, first person, Ian Frazier, Leonard Todd, Martha Hodes, NEHGR, NGSQ, NYGBR, Ohio Genealogical Society, Ohio Genealogy News, Sunny Morton, TAG, The Genealogist, The Sea Captain's Wife, writing
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6 comments:
Doesn't it simply come down to a question of context Harold? For instance, if I were writing an autobiography then it would be pretty difficult without any first-person references.
Writing about an academic subject, or even the lives of your ancestors, can be done without first-person references, but not so if you're presenting a blow-by-blow account of how you uncovered their story.
So glad you mentioned Todd's _Carolina Clay_, a riveting tale. Here and elsewhere, how much came to be hidden is a significant part of the story, and the discovery-trail is part of the history.
I want you to know that your blog post is listed in today's Fab Finds post at http://janasgenealogyandfamilyhistory.blogspot.com/2013/05/follow-friday-fab-finds-for-may-17-2013.html
Have a great weekend!
Thank you, Jana! Yes, A.C., that is what I was trying to say, more briefly put.
Interesting topic. I like your take on the subject.
Laura Hedgecock
http://www.TreasureChestofMemories.com
http://www.twitter.com/LauraLHedgecock
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