Slowly I am learning that writing a family history book is not anything like writing an extra-long article. A book is more like infinity -- walking in a flat desert with no landmarks. The horizon stays in the same place no matter how long you walk.
On the positive side, once done, books are much roomier than articles. I can find out how relatives interacted -- how California cousins took in a Wisconsin relative whose doctor said she would die if she had to go through another winter; how my wife's 20something grandfather, on his way from Wisconsin to graduate school at Yale, stopped by to see an aunt in eastern Kansas (a sizeable detour); and some less reputable exploits. I can also find out how they didn't interact, as when a Civil War veteran died claiming he had no relatives, when he had at least two. (I count him and many like him as casualties of the war even though they lived for decades after.)
And a book has room for diversions and distractions, even though it cannot be as consistently entertaining as Sharon Hoyt on the many marriages of Ida May Chamberlain (National Genealogical Society Quarterly 106 [September 2018]: 217-38), or John Coletta on anything.
Easy online availability of deeds, probates, and newspapers makes it easier than ever to enrich the story -- and lengthen it (1216 footnotes but who's counting?). Even so, because so few write biographical or autobiographical sketches there are still many gaps. And when the task is to render the formatting consistent over many dozens of pages, it also helps to have the smooth drone of a Cubs game in your ear.
Sunday, April 21, 2019
Books vs. Articles
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Labels: articles, books, Family, family history books, John Coletta, NGSQ, Sharon Hoyt, writing
Wednesday, November 27, 2013
The family ain't what it used to be . . . or what you think!
Those who have "family" somewhere in their job description will want to read this portfolio of revealing articles from the New York Times. Some are even genealogically relevant, especially the ones about the spread of what anthropologists call "fictive kin."
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Labels: Family, New York Times
Wednesday, May 15, 2013
"I" and "we" in genealogy writing
This year's Ohio Genealogical Society conference in Cincinnati sparked some good discussions, including one that came out of Ohio Genealogy News
editor Sunny McClellan Morton's Friday morning talk. Like many of us,
she's trying to encourage new writers to take up the pen or word
processor as the case may be.
I admit to being a bit
surprised that there was anything to discuss. There are many kinds of
good genealogical writing, and the first person can be effectively
wielded in most of them.
. . . Except at the top of the pyramid. In the five most scholarly magazines -- NEHGR, NGSQ, NYGBR, TAG, and The Genealogist
-- the first person singular or plural is out of bounds, I think
reasonably so. The focus there should be on the methods, the records,
and the people being researched -- not on the researcher's false trails
and travails. Having journals like this is one of many factors that will
make genealogy more respectable as an intellectual endeavor and not
just a harmless obsession of geezers. Also, once you get the hang of it,
leaving yourself out of the picture actually makes it easier to tell
one story, without having to shift back and forth from the
story of the past to the story of your attempt to reclaim the past. Scholarly
accounts deliberately suppress process details because the logic of proof is
often very different from the travelogue of discovery.
But this is not
the only way to tell these stories, and it is not always even the best
way. For one thing, up-and-coming researchers have a natural hunger for
accounts of how it went. A research find can look very different
in the heat of battle (or more likely in the courthouse basement) than
it does in a polished article. And nothing prevents such accounts from
being well-written and well-documented.
So, pretty much everywhere else -- in commercial popular magazines, in trade publications (APG Quarterly), and in quality mid-level publications (such as NGS Magazine, Ohio Genealogy News,
and many state publications) -- I would expect good editors to be open
to the possibility of using first person to tell a solid genealogical
story. (I blogged about a couple here; Sunny has been publishing research travelogues under the heading "Genealogy Journeys" in OGN.)
Many people may
find it more natural to write in the first person at first, and I'm in favor of
any approach that will get more of us writing (as opposed to dying with
file cabinets full of uncommunicated discoveries). But writing WELL in
the first person is much harder than it looks, for at least three reasons:
(1)
All storytelling and all writing is about selection, and when you write
about your own experience you have to do all the selection. You know
too much. (In an interview-based article, for instance, both the
interviewee and the interviewer filter the direct experience, so that
the result of the interview has already been winnowed down considerably
from the raw experience, making it easier to craft a readable narrative
out of it.) It can be hard to see the forest because you know so much
about each individual tree -- but if you tell all, the reader will quit
rather than figure it out.
(2) First person can tempt
us into careless writing. As beginners we often rely too much on
adjectives and adverbs, and on general ones at that. First-person may
make it harder to realize that we are emoting vaguely, rather than painting a clear
picture.
(3) First person poses a special technical
problem in genealogy. We then have at least two separate narratives
going: our own research chronology, AND the life we are researching.
It takes
considerable skill and experience to keep both stories on track,
separate, and memorable.
These caveats aside, I think
first person opens realms of possibility. Some of the most memorable genealogy
or family history books I have ever read use it: Leonard Todd's Carolina Clay: The Life and Legend of the Slave Potter Dave; Martha Hodes's The Sea Captain's Wife: A True Story of Love, Race, and War in the Nineteenth Century; and (in a somewhat different and slightly less documented vein) Ian Frazier's Family.
I found them impossible to put down, and well worth rereading and
learning from. It's true, these are world-class writers. Few if any of
us can use the first-person tool as well as they do, but that is no
reason to banish it altogether from our toolbox.
Harold Henderson, "'I' and 'we' in genealogy writing," Midwestern Microhistory: A Genealogy Blog, posted 15 May 2013 (http://midwesternmicrohistory.blogspot.com : accessed [access date]). [Please feel free to link to the specific post if you prefer.]
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Labels: Carolina Clay, Family, first person, Ian Frazier, Leonard Todd, Martha Hodes, NEHGR, NGSQ, NYGBR, Ohio Genealogical Society, Ohio Genealogy News, Sunny Morton, TAG, The Genealogist, The Sea Captain's Wife, writing